Il buono, il brutto, il cattivo

A bounty hunting scam joins two men in an uneasy alliance against a third in a race to find a fortune in gold buried in a remote cemetery.
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SKU: 458
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Blondie (The Good) is a professional gunslinger who is out trying to earn a few dollars. Angel Eyes (The Bad) is a hit man who always commits to a task and sees it through, as long as he is paid to do so. And Tuco (The Ugly) is a wanted outlaw trying to take care of his own hide. Tuco and Blondie share a partnership together making money off Tuco's bounty, but when Blondie unties the partnership, Tuco tries to hunt down Blondie. When Blondie and Tuco come across a horse carriage loaded with dead bodies, they soon learn from the only survivor (Bill Carson) that he and a few other men have buried a stash of gold in a cemetery. Unfortunately Carson dies and Tuco only finds out the name of the cemetery, while Blondie finds out the name on the grave. Now the two must keep each other alive in order to find the gold. Angel Eyes (who had been looking for Bill Carson) discovers that Tuco and Blondie meet with Carson and knows they know the location of the gold. All he needs is for the two to ...

Director: Sergio Leone

Writers: Luciano Vincenzoni (story), Sergio Leone (story)...

Stars: Clint Eastwood, Eli Wallach, Lee Van Cleef...

Customer Reviews

  • Anna Evans, 7/20/2014:
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    To me, his best film was the one that was on many critics' ten worst films of 1984 list: "Once Upon a Time in America." I love the finished director's cut, the cut of the film Sergio Leone himself wanted and pictured in his mind while filming the movie. Unfortunately, the editor of the film cut everything into a two-hour picture and messed up the timeline for the theatrical release in 1984 - the result was a disastrous motion picture that now, with the director's cut, stands as one of the best of all time. James Woods once said that one of the critics who named it the worst film of 1984 later named it the best film of the decade.

  • Adam Mosbey, 7/20/2014:
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    Sergio Leone is arguably the most visionary director of all time. They say that before he even had a written script he could picture exactly what was to be on screen and the camera's direction in leading his characters. It was Sergio's World - an alternate place in an alternate time that he was free to control. He controlled the audience and his story like no other director.

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